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Archive
Archive
Poem: Masquerades
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Remembering Barry Humphries, the man who upended the cultural cringe
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Music review: ASO’s Wild
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Diary of a Book Addict: Stories of love, loss and family
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The ‘artwashing’ debate arrives in Adelaide
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Restaurant review: La Trattoria
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Green Room: Ramsay finalists, art commission callout
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Amplifying First Nations voices in the arts
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Theatre review: Miss Julie (After Strindberg)
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Musical review: The Rocky Horror Show
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Artwork highlights Australia’s changing attitudes to war
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Illuminate to shed fresh light on Adelaide in 2023
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Poem: The Chasm
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Menu exhibition serves up a slice of Adelaide’s social history
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Holden Street turns to Tallulah as it enters a new era
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Wine reviews: The Barossa’s secret powerhouse
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Music review: Sacred & Profane – ASO Magnificence
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Film review: Mafia Mamma
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Green Room: Music in the hills and vines, supporting Laura’s journey to recovery
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Why reading books is good for wellbeing and your career
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‘Giant’ of Australian art John Olsen dies, aged 95
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A triptych of contrasting poems
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From the Hillbilly Hoot to the Archibald: portrait captures ‘a legend in Adelaide’
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South Australia’s emerging art stars show their creativity
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Film review: EO
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Film review: AIR
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Meet the man who inspired The Pope’s Exorcist
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Restaurant review: The Good Tiger
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Poem: Birdsong elegy
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Music festival review: Vintage Vibes
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Music review: ASO’s Panorama
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Mum’s the word for Celeste Barber’s former drama teacher turned co-star
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Historic Piccadilly Cinema mural uncovered after 60 years
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Wine reviews: The ocean phenomenon shaping great SA wines
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Green Room: Bard news and Brilliant Things
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Musical review: Come From Away
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Book review: Madukka the River Serpent
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Poem: Emma (Taman) Burwell
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‘Old favourites and new beginnings’: Cabaret Festival launches 2023 line-up
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Beyond words: Pip Williams on her new novel The Bookbinder of Jericho
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Diary of a Book Addict: Children lost – and found
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Restaurant review: Bandit Pizza and Wine
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Film review: Masquerade
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Green Room: Live line-up, photo call, talking art
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Poem: The Man Who Won a Lottery
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Adelaide Festival review: Revisor
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French Film Fest takes audiences from terror-struck Paris to the Côte d’Azur
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A contemporary creative response to historic Carrick Hill
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