University of Adelaide PhD students Camille RouliÚre and Marianne Braux introduced the Raining Poetry initiative to Adelaide last year after being inspired by a similar project in the US city of Boston.
It proved so popular that this yearâs organisers received more than 120 poetry submissions, from which 29 poems were chosen.
They have been painted on CBD streets using stencils and super-hydrophobic paint; the paint works by repelling water, so the stencilled words remain invisible until it rains.
Poet Em König, who is doing a PhD in creative writing at the University of Adelaide and is part of the Raining Poetry organising committee, says this weekâs launch of the 2018 project at the Wheatsheaf Hotel was packed.
âItâs incredible â Iâve never seen a poetry launch like it.
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âThe response from poets and the general public alike has been so warm and wonderful. You tell people about the project who arenât even interested in poetry and their eyes light up.
âI think itâs the magic of rain, which never ceases to fascinate us. When it rains, everyone wants to talk about it â itâs got to do with our connection to water.â
Most of the poems can be found on the north side of North Terrace, between King William Street and Kintore Avenue, with others in Grenfell Street, Rundle Street and Victoria Square (see a location map here).
The project is being presented in collaboration with the JM Coetzee Centre for Creative Practice at the University of Adelaide and is supported by Fab Lab, which laser cut the stencils needed to transfer the poems onto the footpath.
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König says most of the poems are around four lines or less, with themes including the weather, war, family life and indigenous sovereignty. The titles â such as âDear Raincloudsâ, âLonelinessâ, âStretchmarksâ, âCity Orthodonticsâ and âIn Search of a Saviourâ â give a hint at the range of ideas.
âI wrote my poem specifically with the idea in mind that it was going to be put on the ground,â König says of his own verse.
âThe opening line is âPut your ear to these wordsâ, so itâs kind of asking the reader to get on the ground and interact with the poem.â
Put Your Ears to These Words
put your ear to these words and know
crystals breathing troubled silence
under concrete, ice & light
forming bodies, brittle as aged fingersÂ
â Em König
Now, Adelaideans will just have to wait for more rain so they can view the poems.
The âinvisibleâ paint is said to last around six weeks, depending on the weather and amount of foot traffic.
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