Adelaide writer Poppy Nwosuâs new young-adult rom-com novel follows a teenager who embarks on a road trip in the South Australian coastal desert region that she hopes will solve all her problems. Except, of course, it doesnât.

Road Tripping with Pearl Nash is the third romantic contemporary novel by Nwosu, following on from Making Friends with Alice Dyson (the draft of which was shortlisted for the Adelaide Festival Unpublished Manuscript Award) and last yearâs Taking Down Evelyn Tait.Â
The extract below is from the first chapter of the new novel, which is described as âa story about home and family, about breaking apart and fusing together, and, of course, about loveâ.
âYou canât leave me here, Nash!â
I certainly can. But I admit Iâm wavering. Itâs the puppy-dog eyes. And the rain, probably. I donât know how Iâm meant to stay defensive against all that wet skin and those shivers.
I suspect heâs playing me, though. Heâs good at that kind of stuff. Itâs summer, for starters. Itâs not even cold.
âItâs a petrol station,â he breathes, eyes widening like this should mean something to me, other than, yeah. I am parked outside a petrol station. I had in fact noticed that already.
His palms press flat against the half-rolled-up front window of my Bedford van, wet fingers curled through the gap. As if heâll slide his whole body through the second I unwind it any further.
I glare. âCall someone else.â
We donât like each other. Never have. Itâs our whole thing.
âWho else?â He gestures with one shivering hand behind him, looking traumatised.
Flat scrubby landscape and one rundown petrol station with a concrete toilet block. The sky is black with pulsing clouds, heavy and low against the flat stretching highway and shingled earth. Twisted, stunted trees in all directions.
Middle-of-nowhere shit.
I sigh.
âItâs a petrol station, Nash.â He says it again. Irritation creeps into his voice.
âSo what?â I snap.
âSo what? So what? â Obi takes a really deep breath. âSo, every single outback horror movie ever made features a murder scene at a deserted petrol station. I am a young black male, Nash. What do you think happens to the young black male character in horror movies?â
I donât answer.
âDo you want me to tell you?â
âNo.â
âThey die, Nash. They always die. Itâs literally a death sentence if you leave me here!â
âI feel like youâre exaggeratingââ
âIâm not exaggerating. Look at me, does this seem like the face of an exaggerator?â He shoves his nose real close to the narrow gap at the top of my window. Brown eyes, buzz-cut. Heâs got bad skin across his cheeks and water dripping from his lashes.
And heâs got puppy-dog eyes.
âDo you want me to die, Nash?â
I bristle. âYou wonât die. A bus will come through soon.â
âIâll die, Nash.â
He keeps staring through the gap, rain-slicked fingers tapping on the glass, his whole body vibrating as he makes soft, sad sounds, like thatâs going to change my mind.
The puppy-dog eyes turn into kitten eyes.
Turn into baby-seal eyes.
I canât resist baby seals.
Finally, I let out a defeated grunt.
âAlright,â I snap.
Obiâs mouth curls into a wide, sudden grin. Dimples appear in his cheeks. Both sides.
I scowl. Mr Charming turned on like the flick of a light switch. Dimples like that are magic. They even make everyone forget the acne scarring on his cheeks.
Obi sure knows how to work it, and that only annoys me more.
A moment of silence passes as I attempt to control my temper. He shifts from foot to foot, sneakers crunching on the wet gravel outside like nails on a chalkboard. Finally he snaps, âAre you going to let me in or what?â
So much for trying to charm me.
I raise my brows at him from the driverâs seat, elbow on my knee and hand across my mouth.
âItâs not locked,â I inform him curtly.
He tries the handle of the sliding door at the side of the Bedford. âHuh. So ⊠it was always unlocked? You didnât lock me out?â
Things were definitely not meant to go like this.
Daisy was meant to be here, sitting in the passenger seat of my rundown Bedford, engine roaring, feet on the dash, her hair flying in the wind.
Instead Iâm stuck with this idiot. In the middle of nowhere.
It becomes clear Iâm not planning to answer him, so Obi just shrugs, the lightbulb grin back on. Like the sun shining through rain clouds. Magic dimples and all.
I roll my eyes. That shit doesnât work on me.
Obi shoves two heavy bags into the back, and I donât love how they shower wet grit across the thin mattress laid out in the body of the van. Rainwater leaks from the canvas and soaks into the foam.
I scowl at him. âCan you clean that first or something? This is my car, Obiara.â I stuff up the pronunciation of his full name, I know I do. Not on purpose though. âIt isnât some piece of junk!â
Not strictly true. The van is an utter piece of junk, inherited from my grandpa, a man obsessed with old junk.
He glares back at me. âOh-byo-rah,â he corrects, sounding it out.
I curse Daisy again beneath my breath as I curl around in the driverâs seat, on my knees now as I grab a towel from the van floor and shove it beneath his stupid bags. We almost knock heads as I get up and remove him from my vicinity with a hand to his sopping wet shoulder.
A jagged flash of lightning flickers across the sky, the heavy clouds almost purple now. In the distance, a sheet of water approaches across the desert, a visible wall of rain.
âUm ⊠Nash, can I like, get in now?â
âI already said you could, didnât I?â
Obi flashes another of his dimpled grins, almost blinding me. It appears forced though, like heâs trying to play nice for the sake of his ride. The sliding door slams shut behind him â too loud for my liking, because I love this car â and then his wet sneakers squelch and scrape across the gravel as he throws himself into the passenger seat.
Just in time.
The wall of rain envelops us, the world outside turning white and misted, water battering the metal roof as a roll of heavy thunder rumbles overhead. Sheets of it slam hard against the windshield and I chew my lip.
Do I want to drive through this on the highway?
Iâll barely be able to see.
I guess I think about it too long, because Obi clears his throat. Heâs still flashing that smile, but itâs worn thin at the edges.
âSo âŠâ he says, and then stops.
I watch him as the pasted edges of his grin slowly falter. I canât help but be curious. âThey seriously just left you here? Daisy and that?â
Obi says nothing as rain sloshes against the front of the Bedford. I swear the whole van is shaking from the howling wind.
I try again. âThey seriously just kicked you out at this shit petrol station and told you to beg me for a lift?â
The grin disappears completely, swallowed whole. âYeah.â
I scowl. âShe didnât even text me.â
âNo reception.â
I point through the roaring rain toward the ramshackle petrol station. âThere is literally a payphone over there!â
Obi blinks. âWhatâs that?â
âA payphone?â I stare at him blankly. âWhat do you mean?â
He rolls his eyes. âIt was a joke, Nash. No one uses payphones anymore.â He rubs an impatient hand across the misting glass of his window, squinting through the rain. âLook, can we just go, or what?â
This infuriates me even more. Ordering me around in my own car.
But I start the engine.
It sounds sick actually, like itâs choking. But I keep my face blank so Obi canât tell Iâm worried. Or if not exactly blank, a scowl, which is what heâs used to from me anyway. Wouldnât want to change things up too much.
âYeah, we can go?â I mutter, pulling out slowly onto the road. Considering itâs school holidays, there arenât many cars around. Iâm glad. Iâd be too scared to drive this slow old thing in a traffic jam in this weather.
I roll down my window a little because the car is stifling, summer heat hanging heavy in the air, more humid than Iâm used to. Rain spills through the gap. It wets the bare skin of my legs and slides down the pale, cracked leather of the seat.
I roll the window back up.
Iâm pretty keen on staying silent and just concentrating on the road through the rain, but Obi has other ideas. âOuch,â he says. He fishes around beneath his bum and drags out a battered paperback: creased cover and dog-eared pages. He raises his eyebrows. âWhatâs this?â
I try to snatch it, but he pulls it from my reach. Heâs grinning again, skin still damp. But the grin looks a little sharper now, so I guess heâs just as unhappy with the situation as I am. Outside, rain hisses down. Relentless, flat land seeps away behind us as I drive slow and careful up the highway.
âGive it back!â
He doesnât.
âIs this seriously what you read in your spare time, Nash?â Obi shows me the cover â two people embracing in a wild Scottish-style landscape, his billowing shirt in a low V and her dress half unbuttoned. Judging from the deep dimples appearing in his cheeks, Obi finds it all quite amusing.
A nice story to spread when we meet up with all his friends.
âPut on your seatbelt,â I snap. My face is hot and flushed. No wonder Daisy and Lachlan kicked him out. âItâs my nanaâs book, okay? Not mine.â
His grin grows wider. âSure it is. Itâs always the country kids, isnât it?â
I shove back my hair, which keeps falling into my eyes.
âWhatâs always the country kids?â
Iâm pretty sure I donât want to know. But if he says what I suspect heâs going to, Iâll kill him.
He shrugs. âYou know, the ones you least expect. For example, you dress like a boy. And your mouth is full to the brim with braces. At school you never talk unless Daisy is around to hold your hand. Except when you want to pick at me, for some reason. But the whole time, youâre reading juicy romance books about delicate fair maidens. Unbelievable.â
It isnât exactly what I suspected. Itâs a new variation. New enough that I gape at him.
My mouth is full to the brim with braces?
My cheeks flush hotter, and I run my tongue over my teeth self-consciously. Metal ridges and sharp edges. All this mocking reminds me again why itâs better to avoid Obi. And Daisyâs boyfriend, Lachlan.
And lately ⊠Daisy herself.
Not that Daisy mocks me exactly. Or at least, I know she doesnât mean to. She just ⊠gets caught up in the way Lachlan is. And she doesnât seem to protest when other people do.
I attempt to smooth my cropped hair, feeling a little winded. I canât even find the words to cut Obi down, instead saying weakly, âCan you please just put the book away?â
He doesnât listen to me.
He never listens to me.
Instead Obi kicks both his sneakers onto the dash â my dash â and begins reading Flaming Secret of the Highlander, a small crease appearing between his brows.
Daisyâs sneakers are allowed on my dash. Not Obiâs. I wish I could chuck him out of my van the same way she did.
Itâs hard to imagine Daisy doing that.
Lachlan though â well, thatâs easier to imagine.
I grit my braces-covered teeth. Iâd imagine Obi must have done something truly horrendous to get left behind if I didnât also secretly suspect Daisy and Lachlan were just looking for an excuse for some alone-time. Since they got together, everythingâs been about alone-time with them. Itâs been nearly a whole year now, and I feel like Iâve lost my best friend.
I glance over at Obi.
And gained ⊠whatever awful thing he is.
A nemesis?
I huff. Loudly. And lean over to shove his feet off my dash with a hard stare.
âIâm starting to realise why they left you behind,â I grumble. A bit lame, but the only insult I can find in the spur of the moment.
Obi resettles himself in his seat, attention still on the paperback. âOnly starting to, Nash?â He throws a lazy grin my way.
I scowl. âPut your seatbelt on.â
This time he does.
I keep driving, seething in silence while Obi reads. The Bedford is like a sauna. Sweat beads on Obiâs forehead, yet he makes no move to open his window. Good. Iâd only tell him to shut it again. The rain outside is hammering down.
The landscape rolls on: flat stony ground and twisted bushes. Every now and then we pass a collapsed colonial house, broken chunks of stone and caved-in rooves. Just flat land. Endless and wet.
Itâs familiar yet alien, this landscape. I grew up out here, but itâs been so long since I was last here, it only half feels like home. An ache rises in my chest.
Eventually the rain eases and then stops entirely, and I roll down the window, desperate for relief. The air isnât cool like Iâd hoped, but itâs fresh. I breathe deep. It smells like rain, like the desert and hot bitumen. It smells like my childhood. Like my life until four years ago.
I always loved being out here when I was younger.
Staring at the flat, misted horizon, I think maybe I still do. Maybe I miss the big skies and wide landscape.
Maybe I miss the farm, even.
Definitely, I miss my nana. In a way thatâs crept up on me. Surprised me.
Iâve just been so busy lately with other things â with exams and school and holiday plans and Daisy â so I didnât even notice. But thatâs fine, because itâs a problem thatâll be resolved incredibly soon.
Slowing the van, I pull off the highway onto a smaller, winding road, a glittering bay visible in the distance now the sky is clearing. Sunlight shimmers between the heavy, dark clouds. Dry yellow hills roll down to the hazy ocean and the road curls beside a salt plain, mangroves clinging to the edges. Obiâs been reading for ages, every now and then making an amused grunt in the back of his throat. Heâs lounging like he owns my car.
Finally, I canât take it anymore. âCan you stop doing that? Youâre wrinkling the edges of my book.â
âThe edges of whose book?â
âMy nanaâs book,â I correct quickly.
âThatâs not what you said.â He glances up with an evil grin but then his eyes widen. âOh, the rain stopped. Cool. You can see the ocean.â
âYou only just noticed that now?â
He shrugs. âYour book is pretty engrossing.â He wiggles his eyebrows at me.
âItâs not my book. I told you. Itâs my nanaâs.â
Obi doesnât answer but the smile falls from his face as he blinks suspiciously out the window. He turns in his seat, trying to see behind us. âUm, Nash ⊠where are we going?â
âTo check on my nana. Her old house is down the peninsula.â
âExcuse me?â
I stare back at him. I say it slower. âWe are going to my nanaâs house at the end of the peninsula. To make sure she isnât dead.â
Obi gapes at me. He shakes his head. âSay that again? Dead?â
I roll my eyes. âNo. Not dead.â
âUm ⊠and why are we doing that?â
âBecause my parents are making me go. Theyâre worried or whatever. But sheâll be fine. Itâs not a big deal.â
Obi lifts his hands as if to wave me away. âNo, no, Nash. I donât care why youâre going to see your nana! Why am I going?!â
âBecause you pissed Lachlan off and he left you behind at a petrol station. And because you were on your knees in the rain begging me for a lift.â
He hisses, âI wasnât on my knees!â
âYou were definitely, at least metaphorically, on your knees. And you definitely did beg me.â Itâs a little vindictive, I admit, but Iâm almost enjoying myself now. Enjoying the fact that Iâm dragging him somewhere he doesnât want to go.
Definitely not enjoying the fact that it will keep us together in my van for at least another billion hours of driving time. That part is less nice.
âBut ⊠but âŠâ he stutters. âWhat about Finnâs coast shack?â
I shrug. âI never said I was going to Finnâs coast shack.â
âYes, you did! When you first rolled down the window, I asked where you were going and you said, âFinnâs coast shackâ.â He puts on a high, fake voice, which I suppose is meant to be me.
I glare at him. âI never said I was going straight to Finnâs coast shack. You want a lift to Lachlanâs stupid party, then you come with me to check on my nana first.â
Obi gapes at me. âBut I donât want to come with you to check on your nana.â
âWell, that is unfortunate. Because thatâs where weâre going.â
âAnd how long will this detour take exactly?â
âI dunno. Like an extra day?â
âA whole day! Nash, are you fucking serious?â He slams his sneakers against the dash again, hands over his face. âWhy are you doing this to me? This is ridiculous! I donât want to see your weird old country nana, I want to go to Finnâs party.â
I recoil. Weird old country nana? How dare he.
âIâm literally giving you a lift right now and you insult my family?â My voice is rising, temper flaring. âDo you want me to shove you out of this car? And you donât even know anything about my nana! Sheâs a lot better than stupid Finn.â
âAnd I donât want to know anything about your nana!â Obiâs voice is getting louder too, rising to match mine. âTurn this car around right now!â
âNo way!â
âI mean it. Iâm going back to the servo to get a bus.â
âIâm not turning around!â I yell at him. Weâve been driving for ages and my nana is waiting for me. âThis is your own fault, youâre the one who begged me for a lift! And besides, insulting my nana?â I laugh derisively. âYou donât even know the name of a single plant!â
âWhat?â Obiâs eyes bulge. âWhatâs that even supposed to mean?â
Iâm about to open my mouth to tell him exactly what it means, when the Bedford makes a chugging, groaning sound, the engine rumbling and choking.
Spluttering.
Steaming.
Stopping.
It cuts out. Just like that, my van dies.
âââââ
Road Tripping with Pearl Nash, by Poppy Nwosu, is published this month by Wakefield Press.Â
In addition to her three young-adult novels, Nwosu is the editor of the 2021 Wakefield Press YA anthology Hometown Haunts: #LoveOzYA Horror Tales, due out later this year.
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