Film review: Belfast
For all the Shakespearean drama Kenneth Branagh has done (As You Like It, Henry V, Hamlet and more), this personal memoir of childhood in the tightly packed streets of Northern Ireland may be his crowning achievement.
Belfast was a lockdown project written by Branagh during a quiet time but also driven by the memories that surfaced of a much earlier lockdown in which barricades blocked streets and children were told to stay indoors.
Branagh, who directs but does not appear in the film, lived in the Tigerâs Bay area of Belfast in a Protestant enclave that as The Troubles worsened recruited vigilante gangs to get rid of the Catholic families who lived among them. This history was absorbed by Branagh at the time, more as emotional undercurrents than actual events, and so young Buddy, 9, played engagingly by Jude Hill, is just another happy youngster participating in mock battles with neighbourhood kids wielding fake swords and garbage bin lids until Ma (Caitriona Balfe) yells out that itâs time to come home.
The story is simple enough. It is 1969 and Buddyâs family consists of Ma and Pa (Jamie Dornan), who works in the UK but returns to Belfast when he can, and grandparents Granny (Judi Dench) and Pop (Ciaran Hinds), who live nearby and are part of everyday life. There is growing tension because Ma doesnât want to leave behind all she has ever known while Pa understands that sectarian violence has reached their street and the only healthy choice is to go.
âMama says if we went across the water, they wouldnât understand the way we talk,â Buddy says to Pop. âIf they canât understand ya, theyâre not listening,â Pop answers. âYouâre Buddy from Belfast.â
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What makes Belfast so moving is the universality and warmth of the familyâs shared love, encapsulated in one beautiful scene in which Dornan â who just seems to get better and better â sings Love Affairsâ Everlasting Love to his wife.
Branaghâs choice to film in black and white lends distance to the story without tipping it into nostalgia, and the sheer magnificence of the cast and strength of the script make it an absolute joy to watch. âIâm not going anywhere where you wonât be able to find me,â the dying Pop tells Buddy.
Woven through this is the music of Van Morrison, the rhythm and blues singer from Belfast whose songs about loss and love provide a perfectly integrated soundtrack to a story about how childhood doesnât last forever.
Belfast is showing now in cinemas nationally.
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