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Archive
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Fringe review: Anna Piper Scott – None of that Queer Stuff
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Fringe review: Mga gamit ng isang makata
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Adelaide Festival review: Baleen Moondjan
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Fringe review: Appraisal
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Fringe review: Daddy Algorithm
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Doggone it! Muster Dogs is back between the covers
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Get up, stand up for the unstoppable Angelique Kidjo
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Fringe review: 1 in a Chameleon
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Fringe review: Plenty of Fish in the Sea
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Concert review: Pink flies in for a masterclass in showmanship
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Adelaide Festival review: Blue
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Fringe review: Haiku for You
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Fringe review: The Gods The Gods The Gods
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Fringe review: Ningaloo – Australia’s Other Great Reef
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Effie – still up herself after all these years
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Fringe review: The Grilling Season with Annabel Crabb
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Fringe review: Bang On Live
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Fringe review: B.L.I.P.S.
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Fringe review: History of House
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Fringe review: A History of Early Bob Dylan
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Fringe review: Fool’s Paradise
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Natural Wonders lights up Adelaide Botanic Garden
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Five talks to bookmark at Adelaide Writers’ Week
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‘If I do my job well then I should really be invisible’
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‘If I do my job well then I should really be invisible’
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The future looks bright for these emerging art stars
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Discover the art of science
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Fringe review: Adam Page – STEREO
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Fringe review: Blood of the Lamb
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Fringe review: Come Together – The Beatles Rock Show
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Fringe review: GODZ
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Greg Clarke returns to Adelaide Fringe – as an artist
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Film review: The Zone of Interest
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Film review: The Rooster
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Fringe review: Limbo – The Return
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Fringe review: Mythos Ragnarök
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Fringe review: Lady Sings the Blues Volume 2
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Fringe review: Demagogue
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Fringe review: Mel Buttle – Not Here to Put Socks on Centipedes
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Fringe review: Tommy Little has a Regular Size Deck
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Fringe review: Arj Barker – The Mind Field
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Fringe review: Bisexual Intellectuals
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Fringe review: Tracy Crisp – Stitches
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Band on the Run: The album’s forgotten (and also harrowing) back story
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Fringe review: Only Bones v1.9
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Laura Kroetsch appointed new CEO of Writers SA
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Fringe review: An Evening without Kate Bush
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Fringe review: The Dark Side of the Moon
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