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2018 Adelaide Fringe
Archive
Capturing our March madness: Bank SA boss finds a new life behind a lens
Fringe review: Precession’s Adelaide Planetarium Experience
Another record year for Adelaide Festival and Fringe
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Adelaide Fringe and Festival closing weekend picks
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Fringe review: Sam Perry Live
Archive
Fringe review: Unsuitable
Archive
Fringe review: Sam Simmons
Archive
Fringe review: Matt Okine
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Fringe review: Anya Anastasia – The Executioners
Archive
Fringe review: Ross Noble – El Hablador
Archive
Fringe review: Tom Gleeson
Archive
Fringe review: Djuki Mala
Archive
Fringe review: Comfort Food Cabaret
Archive
Fringe review: Have You Tried Yoga
Archive
Fringe review: Wil Anderson
Archive
Fringe review: Mengele
Archive
Fringe review: The Bootlegger’s Dilemma
Archive
Fringe review: I Am Basketball Man
Archive
Fringe review: Le Aerial
Archive
Fringe review: Kitty Flanagan – Smashing
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Fringe review: Fleabag
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Fringe review: Elixir
Archive
Fringe review: Romanticide
Archive
Fringe review: Shell Shock
Archive
Fringe review: Cirque Africa 2.0
Archive
Fringe review: A Simple Space
Archive
The story of Fleabag and the everyday woman
Archive
Fringe review: The Door
Archive
Iconic Adelaide ride to transform into a speed-dating wheel
Archive
Fringe review: Fun House
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Fringe review: Soweto Gospel Choir
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Fringe review: Rouge
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Fringe review: Anthem for a Doomed Youth
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Fringe review: Cal Wilson – Hindsight
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Fringe review: Eleanor’s Story – Home is a Stranger
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Fringe review: Escape from Wonderland
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Fringe review: A Greek Tragedy – ‘Oedipus Rex – The King’
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Fringe review: Dinosaur Time Machine
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Fringe review: Séance
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Fringe review: Borders by Henry Naylor
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Fringe review: Tabarnak
Archive
Fringe review: Trumpageddon
Archive
Fringe review: Unsolved – Matt Tarrant
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Fringe review: John Hinton’s Scientrilogy – Origin of Species
Archive
Fringe review: Flesh & Bone
Archive
Northern Lights simulation to switch on Adelaide Fringe
Archive
Fringe review: Love Letters to the Public Transport System
Archive
A taste of the 2018 Adelaide Fringe
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